We'll concede off the top that "best" isn't exactly a scientific term. It depends who you ask. Then of course not all the contenders are in. And we admit we still haven't caught the second part of The Hobbit yet. So, a little hedging of one's bets is called for.
I'm guessing though that - having been produced pretty much simultaneously with the first part - it will share the initial installment's charms and weaknesses: more fresh humor than you'd expect, but maybe just a little too loud. LOTR did a good job for the most part of keeping the right balance between action adventure and introspective soul search. The first part of the Hobbit leaned too far into the action genre. We remain hopeful though that part 2 will redeem the franchise. But we'll see.
Otherwise, though, the field is pretty well revealed. Considering what's been already released, and screenings achieved by our secret sources, ahead of the general population, confidence oozes as we declare for the best movies of 2013 - or, rather, the best movie! Some will suggest that the decision is made by the people. They have cast their ballots with the laying down of their hard earned money.
The winner in this category would appear to be Iron Man 3, which this morning Box Office Mojo had listed as pushing $410 million Shekels gross. This fact, I confess, blows my mind. Who would have predicted that the star of The Pick-Up Artist and Two Girls and a Guy, or the purveyor of Larry Paul from the Ally McBeal show, would wind up being the superhero star of a megabuck successful action franchise? Not I. That's almost as weird as Tobey Maguire being the superhero star of a megabuck successful action franchise. Almost as weird.
But, gentle sirs (and ladies), by no means is The Best Movies of 2013 dot Net a democracy. We'll have none of that, here. We have our own esoteric and somewhat elitist standards, thank you. And, I assure you, bums in seats ain't it. We have to at least give honorable mention to a film that many will consider the best of the year. Sound City is a wonderful documentary that tells the story of one of the treasures of American rock and pop music. Tucked away in the San Fernando Valley, this remarkable studio, on the strength of its technical superiority became a recording Mecca for many of contemporary music's iconic figures.
The list runs from Fleetwood Mac and Neil Young to Nirvana and Metallica. The film tells the story of this off the beaten track studio whose acoustic excellence transcended its sketchy setting, through the perspective and experience of those who were so influenced by its contributions to the music of our time. If you have any great appreciation for contemporary music, you won't go wrong choosing this viewing opportunity. Best movie of the year, though? Come on. You know we're not so namby-pamby as to select a documentary as number one. Sheesh
No sir, here at Best Movies of 2013, we're leading the charge, of what we expect to be a critical avalanche and making it official (unofficially) that our best movie of the year is Le Week-End. Don't worry; it's not one of those obscure, self-indulgent foreign films. (Heck a documentary would be better than that.) The French flavored name refers to the setting, in Paris. There we find a British couple on the last legs of their relationship. The performances are brilliantly acted by the still exquisitely beautiful Lindsay Duncan and the heart-breaking dowdiness of Jim Broadbent.
We don't want to give too much away, the dialogue is too rich and delicious to spoil, but if you're a fan of Richard Linklater's great Before Sunset series, imagine Jesse and Celine right at the end of their relationship, where cleverness has been reduced to passive aggressive cruelty. It really is though more fun than that makes it sound.
Also needing special mention is the supporting role provided by Jeff Goldblum, another stellar contribution to his later career forte. This one still hasn't equaled the dark menace of his great contribution to Igby Goes Down, but it's still a pretty great performance. One for which I suspect the tall guy will long be remembered.
And there you go, officially unofficial, that's our story and we're sticking with it. Undoubtedly some other titles have received a well deserved not. Le Week-End, though, is our choice, with its dark, brooding, funny and cruel, dialogue that scorches the soul and maybe wells up a tear or two. That's our choice for the very best movie of 2013. And, if you think we're wrong, well, tell us why.
I'm guessing though that - having been produced pretty much simultaneously with the first part - it will share the initial installment's charms and weaknesses: more fresh humor than you'd expect, but maybe just a little too loud. LOTR did a good job for the most part of keeping the right balance between action adventure and introspective soul search. The first part of the Hobbit leaned too far into the action genre. We remain hopeful though that part 2 will redeem the franchise. But we'll see.
Otherwise, though, the field is pretty well revealed. Considering what's been already released, and screenings achieved by our secret sources, ahead of the general population, confidence oozes as we declare for the best movies of 2013 - or, rather, the best movie! Some will suggest that the decision is made by the people. They have cast their ballots with the laying down of their hard earned money.
The winner in this category would appear to be Iron Man 3, which this morning Box Office Mojo had listed as pushing $410 million Shekels gross. This fact, I confess, blows my mind. Who would have predicted that the star of The Pick-Up Artist and Two Girls and a Guy, or the purveyor of Larry Paul from the Ally McBeal show, would wind up being the superhero star of a megabuck successful action franchise? Not I. That's almost as weird as Tobey Maguire being the superhero star of a megabuck successful action franchise. Almost as weird.
But, gentle sirs (and ladies), by no means is The Best Movies of 2013 dot Net a democracy. We'll have none of that, here. We have our own esoteric and somewhat elitist standards, thank you. And, I assure you, bums in seats ain't it. We have to at least give honorable mention to a film that many will consider the best of the year. Sound City is a wonderful documentary that tells the story of one of the treasures of American rock and pop music. Tucked away in the San Fernando Valley, this remarkable studio, on the strength of its technical superiority became a recording Mecca for many of contemporary music's iconic figures.
The list runs from Fleetwood Mac and Neil Young to Nirvana and Metallica. The film tells the story of this off the beaten track studio whose acoustic excellence transcended its sketchy setting, through the perspective and experience of those who were so influenced by its contributions to the music of our time. If you have any great appreciation for contemporary music, you won't go wrong choosing this viewing opportunity. Best movie of the year, though? Come on. You know we're not so namby-pamby as to select a documentary as number one. Sheesh
No sir, here at Best Movies of 2013, we're leading the charge, of what we expect to be a critical avalanche and making it official (unofficially) that our best movie of the year is Le Week-End. Don't worry; it's not one of those obscure, self-indulgent foreign films. (Heck a documentary would be better than that.) The French flavored name refers to the setting, in Paris. There we find a British couple on the last legs of their relationship. The performances are brilliantly acted by the still exquisitely beautiful Lindsay Duncan and the heart-breaking dowdiness of Jim Broadbent.
We don't want to give too much away, the dialogue is too rich and delicious to spoil, but if you're a fan of Richard Linklater's great Before Sunset series, imagine Jesse and Celine right at the end of their relationship, where cleverness has been reduced to passive aggressive cruelty. It really is though more fun than that makes it sound.
Also needing special mention is the supporting role provided by Jeff Goldblum, another stellar contribution to his later career forte. This one still hasn't equaled the dark menace of his great contribution to Igby Goes Down, but it's still a pretty great performance. One for which I suspect the tall guy will long be remembered.
And there you go, officially unofficial, that's our story and we're sticking with it. Undoubtedly some other titles have received a well deserved not. Le Week-End, though, is our choice, with its dark, brooding, funny and cruel, dialogue that scorches the soul and maybe wells up a tear or two. That's our choice for the very best movie of 2013. And, if you think we're wrong, well, tell us why.
About the Author:
See Mickey Jhonny's controversial piece on the reasons behind the success of Mad Men, at the Don Draper Haircut site.
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