As this specific type of music transcends its country of origin to be enjoyed in different parts of the world. A few things have come into the light, things that either was t made apparent then or those who rallied behind its call, unable to do anything to affect the status quo due to voices that could not be heard over the booming speakers that have made this genre of music like no other. Philadelphia Private Party Bands know hot make your event special, many female ladies recently are doing pretty good shows.
In a world filled with hypersexualized music and the bedrock for rape culture, it s good to see an element of femininity in a male-dominated industry and body of work. A breath of fresh air and talent from the stale, repetitive music that is out there no matter how many times its considered fresh.
Many people may find it hard to accept dancehall as reggae because they equate it to the likes of Bob Marley, Lucky Dube and so on and so forth. But the truth of the matter is that is only one facet of the genre, which many people do not know is known as roots reggae. But no matter which way we look at it, the genre does have an unsavury side, especially when you consider the era in which we live in filled with rights for all no matter what you choose to identify yourself as.
Female artists still find themselves at a disadvantage. Although, this genre of music is welcoming with regard to working in it. One thing that seems to be a hurdle is relatability for a female audience as popular songs are littered with misogynistic fuelled messages about women, who are sexualized by male artists.
Today, it is not uncommon to find a headline act being a female artist. From the likes of Foxy Brown, Lil Kim to Rihanna and Cardi B who ve added a winning pop component to a tried and tested method. But with all the work that was put in by the likes of Tenor Saw in paving the road that they did. The truth of the matter is, she was never held to the same esteem as her male contemporaries.
What gets to constitute as entertainment slowly finds itself blurring a line it was unaware existed. But thanks to the voice of Dr. Donna Hope from the University of the West Indies, who has gone on record to state that daggering is demeaning and explained that it s not about the sexual acts emphasized in the music, lyrics and dance moves and more akin to the inflation of the male ego. With powerful words like this from a renowned expert in reggae studies emphasize substance to the argument of the misrepresentation of females in reggae music.
The best example of this is by referring to such women as Delilah in songs. Equating her to the biblical figure who was viewed as a temptress and the source of Samson s downfall.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
In a world filled with hypersexualized music and the bedrock for rape culture, it s good to see an element of femininity in a male-dominated industry and body of work. A breath of fresh air and talent from the stale, repetitive music that is out there no matter how many times its considered fresh.
Many people may find it hard to accept dancehall as reggae because they equate it to the likes of Bob Marley, Lucky Dube and so on and so forth. But the truth of the matter is that is only one facet of the genre, which many people do not know is known as roots reggae. But no matter which way we look at it, the genre does have an unsavury side, especially when you consider the era in which we live in filled with rights for all no matter what you choose to identify yourself as.
Female artists still find themselves at a disadvantage. Although, this genre of music is welcoming with regard to working in it. One thing that seems to be a hurdle is relatability for a female audience as popular songs are littered with misogynistic fuelled messages about women, who are sexualized by male artists.
Today, it is not uncommon to find a headline act being a female artist. From the likes of Foxy Brown, Lil Kim to Rihanna and Cardi B who ve added a winning pop component to a tried and tested method. But with all the work that was put in by the likes of Tenor Saw in paving the road that they did. The truth of the matter is, she was never held to the same esteem as her male contemporaries.
What gets to constitute as entertainment slowly finds itself blurring a line it was unaware existed. But thanks to the voice of Dr. Donna Hope from the University of the West Indies, who has gone on record to state that daggering is demeaning and explained that it s not about the sexual acts emphasized in the music, lyrics and dance moves and more akin to the inflation of the male ego. With powerful words like this from a renowned expert in reggae studies emphasize substance to the argument of the misrepresentation of females in reggae music.
The best example of this is by referring to such women as Delilah in songs. Equating her to the biblical figure who was viewed as a temptress and the source of Samson s downfall.
Reggae music and females have had a troubled past, but as the music finds notoriety elsewhere it brings more than people together. A world audience allows for the voices of those who once went unheard to light and allows for rectifying wrongs without jeopardizing or placing the genre of music in a position where it loses what makes it reggae.
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