Frida Kahlo paintings are best remembered for their pain and passion and their intense, vibrant colors. They are celebrated as emblematic of national and indigenous tradition by the Mexicans and for their uncompromising depiction of the female experience and form by feminists.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
The lifelong health problems of Frida are reflected in her works. Half of the Frida Kahlo paintings are self portraits of one sort or another. Because she is often alone and because she is one subject she knows best, Frida prefers to feature herself in her paintings. According to Frida, she was born a bitch and a painter.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Showing little interest in plein air landscapes, Degas paintings, instead, featured theatre and cafe scenes illuminated by artificial light. Edgar used this light to clarify the contours of his figures, completely adhering to his academic training.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Starting in the studio of Louis Lamothe, Edgar was trained in the traditional academic style. This style put emphasis on line and insisted on the crucial importance of draftsmanship. Also strongly influencing Degas paintings were paintings and frescoes seen during long Italian trips in the late 1850s. These paintings and frescoes were recorded in Edgar's personal notebook in the form of sketches and drawings.
Categorized as Naive art or folk art, Frida Kahlo paintings feature Mexican culture and Amerindian cultural tradition prominently. They are also described as surrealist. In 1938, Frida was described as being a ribbon around a bomb by a bonafide surrealist artist.
The lifelong health problems of Frida are reflected in her works. Half of the Frida Kahlo paintings are self portraits of one sort or another. Because she is often alone and because she is one subject she knows best, Frida prefers to feature herself in her paintings. According to Frida, she was born a bitch and a painter.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Showing little interest in plein air landscapes, Degas paintings, instead, featured theatre and cafe scenes illuminated by artificial light. Edgar used this light to clarify the contours of his figures, completely adhering to his academic training.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Starting in the studio of Louis Lamothe, Edgar was trained in the traditional academic style. This style put emphasis on line and insisted on the crucial importance of draftsmanship. Also strongly influencing Degas paintings were paintings and frescoes seen during long Italian trips in the late 1850s. These paintings and frescoes were recorded in Edgar's personal notebook in the form of sketches and drawings.
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